在本文里我检视了中国创意的传统之根。我通过“本地创意”与“供给性”两个概念以体现中国创意兼有语境性与关联性,并研究了道家、儒家与创意、 自然和市场的关联途径。对于中国创意在过去二十年间的艰难困苦,我提供了一个个人性的视角。最后,我指出了通过“供给性”来理解中国创意的新概念。随着时间的推移,各种人、事和话语也会多次出现。在这种意义上, “山寨文化”的出现 阐释了这种供给性。
在本文里我检视了中国创意的传统之根。我通过“本地创意”与“供给性”两个概念以体现中国创意兼有语境性与关联性,并研究了道家、儒家与创意、 自然和市场的关联途径。对于中国创意在过去二十年间的艰难困苦,我提供了一个个人性的视角。最后,我指出了通过“供给性”来理解中国创意的新概念。随着时间的推移,各种人、事和话语也会多次出现。在这种意义上, “山寨文化”的出现 阐释了这种供给性。
供给性山寨创新创意传统文化
供给性山寨创新创意传统文化
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