The Musical Marco Polo. Sketches of "Otheness" fom Ching to the West (and backwards)

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The Musical Marco Polo. Sketches of "Otheness" fom Ching to the West (and backwards)

3卷第2期

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The Musical Marco Polo. Sketches of "Otheness" fom Ching to the West (and backwards)
The Musical Marco Polo. Sketches of "Otheness" fom Ching to the West (and backwards)
University of Turin
2019年3卷第2期页码：5-29
纸质出版日期： 2019 ，
DOI：
Accepted：

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Gabriele Marino. (2019). The Musical Marco Polo. Sketches of "Otheness" fom Ching to the West (and backwards). 批评理论（英文版）, 3(2), 5-29.

GABRIELE MARINO. (2019). The Musical Marco Polo. Sketches of "Otheness" fom Ching to the West (and backwards). Critical Theory, 3(2), 5-29..
Gabriele Marino. (2019). The Musical Marco Polo. Sketches of "Otheness" fom Ching to the West (and backwards). 批评理论（英文版）, 3(2), 5-29. DOI：

GABRIELE MARINO. (2019). The Musical Marco Polo. Sketches of "Otheness" fom Ching to the West (and backwards). Critical Theory, 3(2), 5-29.. DOI：

摘要

Abstract

Thanks to a series of case studies ranging from classical music (Giacomo Puccini's Turandot)

to Modernist avant-garde and contemporary popular music (John Zorn's

Naked City

protest singer-songwriter Cui Jian

underground performer Yan Jun

techno producer Tzusing)

investigated through literature review and textual analysis

as well as interviews

the paper aims at addressing the perception of Chinese music and its influence in Western cultures

with particular regard to the Italian context. At least four main discoursive tropes can be found: "blurriness" "derivation" "extremeness"

and "technique".

关键词

Keywords

China cultural mediation musical genres popular music semiotics

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