1 Albert Einstein, On Cosmic Religion: With Other Opinions and Aphorisms, Covici-Friede, Inc., New York, 1931, p. 97.2 For example, as Paolo Dario, an expert in biorobotics, said in the forum of World Robot Congress, 2017:“after the Internet, there will be robots, as in the opening scene of ” I, Robot“. The medical robot“ Da Vinci” has been widely used in the west, and the companion robot will become a reality in the near future.3 Wang Kunyu, Zhang Guidan, “AI Movie Concept: a Meta-Proposition That Needs to Be Clarified”, Journal of Shanghai University, No. 4, 2020, p 1- 14.4 Adrian Ivakhiv，Ecologies of the Moving Image : Cinema, Affect, Nature, 2013, Wilfrid Laurier University Press, Waterloo, Ontario, Canada. p. 8.5 Dolly ( 1996. 7. 5- 2003. 2. 14) was the first mammal cloned by nuclear transfer technology in the world, created by Keith Campbell's team at the university of Edinburgh, Scotland.Since then, transgenic cloning technology has been used in the creation of a variety of mammals. The vision of human cloning was fully explored in Schwarzenegger's film the Sixth Day.6 For a detailed discussion of this issue, please refer to my article on Artificial Intelligence Films and Reflections on Creation, which will be published in Tianjin Social Sciences soon.7 The posthuman mind is often traced back to Nietzsche, whose Thus Spoke Zarathustra came after Frankenstein; at the same time, postmodernist thinkers Foucault, Ihab Hassan, and Friedrich Jameson are also often mentioned, but their ideas are obviously later than those of films such as Metropolis. More recently, the most important textual support in the work of Donna Haraway and Catherine Hayles is science fiction and science fiction movies (Blade Runner, Ghost in the Shell, The Matrix, etc.). It can be seen that theorists cannot presuppose that images are later or lower than metaphysical thinking. Perhaps a more appropriate understanding is: technology, speech, image is a resonance relationship.8 See Wang Kunyu, Brain-computer Interface and Artificial Intelligence Imaging, Art Forum, 2019, No. 5, p 62- 66.9 Maurice Merleau-Ponty, Phénoménologie de la Perception (Trans. Jiang Zhihui), Beijing Commercial Press, 2001, p. 199.10 Bruno Latour, The Pasteurization of France (Trans. Alan Sheridan and John Law), Cambridge: Harvard University Press, 1988, p 159.11 Shaviro Steven, The Universe of Things, Theory & Event, Baltimore Vol. 14, Iss. 3, 2011, N_A.12 Many scholars think that the evolution of the body has basically stopped since the beginning of civilization, which is an inappropriate recognition. In the process of mutual adaptation between human and media, human body is constantly evolving or degrading. For example, the adaptability of human fingers to piano and computer keyboard is to some extent caused by media.13 AI movies can also be understood as movies made by AI technology or robots. Yitong Li et al., Duke University, USA, proposed a combination of variational auto-encoder (VAE) and generation of antagonistic network (GAN) algorithm to generate video for a short text. The research was presented at the AAAI 2018 conference as Video Generation from Text. However, the current degree of completion of this technology is obviously far from the same as the production of poetry, such as Microsoft Xiao Ice. Although we believe that based on the VR technology and various video materials and meta code, this kind of automatic creation is possible, but it will take a long time.14 The author imitates the word-formation method of“ database” to create a series of words, which can also be continuously segmented according to the needs to create an unlimited “library” of body-related video materials.15 Steven Shaviro, Post-Cinematic Affect, Washington, Zero Books, 2010, cover page.16 Discussion of posthuman in a narrow sense can be found in Zhang Chunxiao, From Anti- Humanism to Post-Human in a Narrow Sense: The Leap from Anthropophagy, Theoretical Studies of Literature and Art, No. 5, 2018, p. 48- 56.17 Perception and emotion in the posthuman era are another issues worth discussing. Although some scholars have discussed this issue through the relevant thinking of several French philosophers, it is still basically at the level of metaphysics. It is one of the next important topics for the author to think deeply about through images.18 Wang Feng, Image Makes Reality: Body Sense in Virtual Reality, Academic Research, No. 10, 2018, p. 143-149+178.19 Wang Kunyu, Body-Media in The Post-Human Epoch, Journal of Henan University, No. 3, 2020, p. 46- 53.