后自动化诗学；冷战时期计算机如何创作诗歌

艾弗里· 斯莱特; 刘艺; 谭旭东

doi:10.12184/wspppllWSP2515-527X04.20240801

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Volume 8, Issue 1

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后自动化诗学；冷战时期计算机如何创作诗歌
后自动化诗学；冷战时期计算机如何创作诗歌
上海大学文学院，上海，200444
Vol. 8, Issue 1, Pages: 71-93(2024)
Published：30 March 2024
DOI：10.12184/wspppllWSP2515-527X04.20240801
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.后自动化诗学；冷战时期计算机如何创作诗歌[J].批评理论,2024,08(01):71-93.

艾弗里· 斯莱特, 刘艺 & 谭旭东. (2024). 后自动化诗学；冷战时期计算机如何创作诗歌. CRITICAL THEORY, 8(1), 71-93..
.后自动化诗学；冷战时期计算机如何创作诗歌[J].批评理论,2024,08(01):71-93. DOI： 10.12184/wspppllWSP2515-527X04.20240801.

艾弗里· 斯莱特, 刘艺 & 谭旭东. (2024). 后自动化诗学；冷战时期计算机如何创作诗歌. CRITICAL THEORY, 8(1), 71-93.. DOI： 10.12184/wspppllWSP2515-527X04.20240801.

摘要

本文探讨了冷战早期使用计算机创作诗歌的尝试。在第二次世界大战结束后到个人计算机流行的这一时期，计算机诗歌创作不仅受到艺术家的影响，还受到大学实验室、国防联络机构和公司的影响。同时，这个时代计算机生成的诗歌经常被应用于更重要的项目中，即培养公众对计算机的力量和声望的概念。从机器翻译到早期的Al，这种“后自动化诗学”（post-automation poetics）的精神也来自计算机科学对计算语言处理能力的实验。本文将艾莉森-诺尔斯（Alison Knowles）、南尼·巴勒斯特里尼（Nanni Balestrini）等人的计算机诗歌与数学家西奥·卢茨（Theo Lutz）和语言学家玛格丽特·马斯特曼（Margaret Masterman）等人所关注的科学问题联系起来。后自动化诗学以政府权力、大学资金和企业雄心为框架，探讨了计算与文学创作的相关性：从冷战时期的主要框架到当代的大型语言模型（LLM），如GPT-3。

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