Research on the Narrative Strategy of VR Film

Guangyao Luo

doi:10.47297/wspciWSP2516-252716.20210506

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Research on the Narrative Strategy of VR Film

Volume 5, Issue 6

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Research on the Narrative Strategy of VR Film
Research on the Narrative Strategy of VR Film
Jilin Normal University
Vol. 5, Issue 6, Pages: 116-119(2021)
Published： 2021 ，
DOI：10.47297/wspciWSP2516-252716.20210506
Accepted：

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GUANGYAO LUO. (2021). Research on the Narrative Strategy of VR Film. Creativity and Innovation, 5(6), 116-119..
DOI：

GUANGYAO LUO. (2021). Research on the Narrative Strategy of VR Film. Creativity and Innovation, 5(6), 116-119.. DOI： 10.47297/wspciWSP2516-252716.20210506.

摘要

Abstract

In light of the dissipation of the VR image craze

this paper will explore six aspects of the narrative adversity of VR video based on film ontology

including editing rhythm

multi-line narrative

visual center

close-up shots

scene transitions

and perspective.

关键词

Keywords

VR imageNarrativeSpace-time structure

references

[Hungary] Bela Balazs: The Visible Man - The Spirit of Cinema [M], translated by An Li, China Film Publishing House, 2000.[2] [US] Barry Breverman: The Filmmaker [M], translated by Li Hongmei, People’s Post and Telecommunications Publishing House, January 2012.[3] [Hungarian] Mary Laurie. “Ryan: Virtual Reality as Narrative” [J], translated by Xu Yaping, Journal of Beijing Film Academy, March 2016.[4] Tian Fuyao Lv Yu: “Characteristics and Development of VR Image Narrative Techniques” [J], Journalism and Writing, 5 August 2016.[5] Zhang Hongzhong, “2018 China VR Industry and Consumer Survey Report” [M], Xinhua Publishing House, July 2019.[6] [US] David Birdwell, Kristin Thompson, The Art of Film, Form and Style [M], translated by Zeng Weizhen, World Book Publishing, 2011.

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