The Art of the Inexhaustible: Aesthetics, Hermeneutics in Luigi Pareyson

Alice Lacobone

doi:10.47297/wspctWSP2515-470207.20240801

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The Art of the Inexhaustible: Aesthetics, Hermeneutics in Luigi Pareyson

Volume 8, Issue 1

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The Art of the Inexhaustible: Aesthetics, Hermeneutics in Luigi Pareyson
University of Genoa
Vol. 8, Issue 1, Pages: 69-77(2024)
Published： 30 June 2024 ，
DOI：10.47297/wspctWSP2515-470207.20240801

Full txt

Lacobone Alice.The Art of the Inexhaustible: Aesthetics, Hermeneutics in Luigi Pareyson[J].Critical Theory,2024,08(01):69-77.
DOI：

Lacobone Alice.The Art of the Inexhaustible: Aesthetics, Hermeneutics in Luigi Pareyson[J].Critical Theory,2024,08(01):69-77. DOI： 10.47297/wspctWSP2515-470207.20240801.

摘要

Abstract

Piedmontese philosopher Luigi Pareyson played a major role in the Italian context of the twentieth century

developing a highly original philosophical perspective. The present paper focuses on his aesthetics

his hermeneutics

and the relationship between the two. After a first introductory section on Pareyson's life and on the different stages of his philosophical reflection

the article turns to Pareyson' aesthetic theory of formativity

with a focus on the aspects that most clearly enucleate its hermeneutic bases. The third section examines Pareyson's explicit contribution to hermeneutics

by drawing attention to the fact that art best exemplifies the dynamics that are at work in any act of interpretation. The fourth section takes into account the concept of "

persona

" as a

trait d'union

that runs through Pareyson's whole philosophy

shedding further light on the interpretative process as it involves both artworks and truth. Ultimately

the paper aims to show how in Pareyson's thought the hermeneutics

although outlined more than fifteen years after the aesthetics

logically precedes and underpins it.

关键词

Keywords

Italian philosophyFormativityInterpretationPerson

references

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