The Origin of an Ontological Hermeneutics: Gianni Vattimo's Aesthetics

Gianni Vattimo's Aesthetics

doi:10.47297/wspctWSP2515-470209.20240801

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The Origin of an Ontological Hermeneutics: Gianni Vattimo's Aesthetics

Volume 8, Issue 1

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The Origin of an Ontological Hermeneutics: Gianni Vattimo's Aesthetics
University of Turin, Italy
Vol. 8, Issue 1, Pages: 90-98(2024)
Published： 30 June 2024 ，
DOI：10.47297/wspctWSP2515-470209.20240801

Full txt

Gianni Vattimo's Aesthetics. (2024). The Origin of an Ontological Hermeneutics: Gianni Vattimo's Aesthetics. Critical Theory, 8(1), 90-98.
DOI：

Gianni Vattimo's Aesthetics. (2024). The Origin of an Ontological Hermeneutics: Gianni Vattimo's Aesthetics. Critical Theory, 8(1), 90-98. DOI： 10.47297/wspctWSP2515-470209.20240801.

摘要

Abstract

Contemporary philosophical hermeneutics has its roots in the field of aesthetics. Among its authors

Gianni Vattimo is the most radical interpreter of this position. His early book

entitled

Art's Claim to Truth

emphasizes this primacy of aesthetics with a particular focus on the artistic practice.The present essay reconstructs Vattimo's reading of early European avant-gardes and discusses what

Art's Claim to Truth

calls the ontological meaning of the artistic revolutions between the 19

and 20

centuries.

关键词

Keywords

Gianni VattimoAesthetics

references

Heidegger, Martin (2002). Off the Beaten Track. Cambridge: Cambridge University Press.

Martinengo, Alberto (2019)." Should We Renounce Hegel? From Existentialism to Hermeneutics." Tropos. Rivista diermeneutica e critica filosofica, XII (1):63-73.

Nietzsche, Friedrich (2003). Untimely Meditations. Cambridge: Cambridge University Press.

Pareyson, Luigi (1988). Estetica. Teoria della formatività. Milano: Bompiani.

Vattimo, Gianni (2010). Art's Claim to Truth. New York: Columbia University Press.

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