Volume 6, Issue 9
Anoixist Dance: Naturalistic Pursuit Through the Body
- Vol. 6, Issue 9, Pages: 96-100(2022)
Published: 25 September 2022
DOI:10.47297/wspiedWSP2516-250018.20220609
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Volume 6, Issue 9
Anoixist School, Nanjing
Published: 25 September 2022 ,
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Lei Liu.Anoixist Dance: Naturalistic Pursuit Through the Body[J].Journal of International Education and Development,2022,06(09):96-100.
Lei Liu.Anoixist Dance: Naturalistic Pursuit Through the Body[J].Journal of International Education and Development,2022,06(09):96-100. DOI: 10.47297/wspiedWSP2516-250018.20220609.
Anoixist Dance is a form of dance that isn't limited by subject or restricted by time
space
or region. It advocates for free body expression
pursues the unification of nature with humanity
and strives to achieve oneness with nature
depersonalization (derealization)
and attain a state of nirvana. The primary characteristic of Anoixist Dance is openness
stemming from the philosophical notions of Anoixism
pertaining to openness and acceptance of all possibilities
including the fullest respect toward nature
life
and freedom. Anoixist Dance transcends the specialized limitations
requirements
and aesthetics of traditional dance. It places the needs of life as its basis
considering the utmost respect for using one's body to freely express themself through dance. In the body's most natural state
Anoixist Dance becomes the rhythm of life
where this state of dance reaches a pure form of spiritual activity. It is freeing
limbering
leading us back to nature and the oneness of body and mind.
Anoixist PhilosophyAnoixist DanceNaturalism
Ye Shu,The Song of Green Island, Nanjing University Library,2010.
Maurice Merleau-Ponty, Phenomenology of Perception, ,Translated by Zhihui Jiang,The Commercial Press,2001,p.198.
Weilin Fang,Anoixism and Its Idealistic Pursuit,International Journal of Philosophy of Culture and Axiology Vol. 12, No. 2 (2015).
Pin Wang,A Preliminary Study on Laban's Thoughts of Dance Education,Master's Degree Thesis of Shanghai Normal University,2007.p.11.
The original Latin text:"Qui uerba Latina fecerunt quique his probe usi sunt, 'humanitatem' non id esse uoluerunt, quod udogus existimat quodque a Graecis φιλανθρωπ?α dicitur et significat dexteritatem quandem beniuolentiamque erga omnis homines promiscam, sed 'humanitatem' appellauerunt id propemodum, quod Graeci παιδε?αν uocant, nos eruditionem institutionemque in bonas artis dicimus. Quas qui sinceritur cupiunt adpetuntque, hi sunt uel maxime humanissimi. Huius enim scientiae cura et disciplina ex uniuersis animantibus uni homini datast idcircoque 'humanitas' appellata est." 见Aulus Gellius, Noctes Atticae, ed. with critical introduction, P. K. Marshall, Scriptorum classicorum bibliotheca Oxoniensis (Oxonii: E Typographeo Clarendoniano, 1968), 2: 399-400. See R. S. Crane, The Idea of the Humanities and Other Essays Critical and Historical 2 vols. (Chicago: The University of Chicago Press, 1967), 1: 23.
Alma Duncan, Aaron Rose McDougall, Duncan's Last Years, Translated by Yin Su, Qi Lujia, and Jin Hong, Tianjin Baihua Literature and Art Publishing House, 2006.P.181
Isadora Duncan, Isadora Duncan's Lecture on Dancing, Kyushu Publishing House, 2006.P.245
Hegel,Vorlesungen über die sthetik,TWA Bd. 13,( Frankfurt a. M . 1969 ff) 89 - 91.
Ibid.
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