During the Ming and Qing periods

literati painting and calligraphy art reached an unprecedented peak. The integrated art form of "poetry

calligraphy

painting

and seal" became a crucial means for literati to express themselves and pursue artistic excellence. This article aims to explore the cultural connotations of this art form by analyzing the intertextuality of its artistic expression

the unity of form and spirit

the fusion of seal carving art with pictorial space

and the harmonious composition of the overall layout. The investigation reveals that the integration of "poetry

calligraphy

painting

and seal" is both an artistic technique and a comprehensive manifestation of literati spirit

aesthetic pursuit

and philosophical thought. It embodies the literati's profound understanding of nature

the cosmos

and their worldview.