Lee Chang-dong

a South Korean director

is adept in encoding the complex and profound metaphor of lens language by using the female perspective as narrative props. Besides

he appeals the emotional desires of the aphasiac by means of transforming the generally neglected disadvantaged groups into the narrative subjects. In the film Poetry

Lee Chang-dong took the female first perspective to resist the monopoly of narrative discourse by strong social identity

which reflected the double oppression of patriarchy and male power in South Korean society. Lee also made appeal and presentation of taboo topics and the emotional desires of aphasia in multiple cultural perspectives and lens language. In this way

by transforming the neglected object into the narrative subject

Lee focused on the marginal weak who were unable to form an alliance under the dual oppression of patriarchy and male power. In this paper

combined with Beauvoir's theory of the other

the situation and trauma of the hero as "the other" in the Poem and the generation of consciousness from "the other" to "self" will be analyzed.