This article examines the "Chinese-language blockbuster" phenomenon that has gained momentum in recent years with the thoughts of Giddens

Tonglinson

and Appadurai on globalization as its concern. The article holds that

similar to Korean films and Japanese anime

the cross-border production

distribution

and consumption of "Chinese-language blockbusters" are mainly achieved through what the authors call "non-regional space" production. The so-called "non-regional space" refers to certain spatial symbols that transcend cultural and regional characteristics or have the original regional or cultural factors removed

and certain "universal" issues with spatial transcendence. The prefix "non-" before "space" does not mean that it is illusory and cannot be perceived

touched

or experienced. Instead

it is intended to show the anonymity

non-regionality

and universality of such spaces. The prominent feature of such spaces is their "transplantability"

which not only forms a certain degree of reference to the sliding and metaphor of the original space to some extent

but also can transcend the ambiguous referential relationship with the original space and be consumed by cultures in other regions after being "transplanted".