Research on "Non-objective" Thinking of Painting Works in the Song Dynasty

Jiahao Huang

doi:10.47297/wsprolaadWSP2634-786514.20240503

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Research on "Non-objective" Thinking of Painting Works in the Song Dynasty

Volume 5, Issue 3

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Research on "Non-objective" Thinking of Painting Works in the Song Dynasty
Research on "Non-objective" Thinking of Painting Works in the Song Dynasty
Shaanxi University of Science & Technology, College of Art and Design, Xi'an, Shaanxi, China, 710021
Vol. 5, Issue 3, Pages: 82-85(2024)
Published： 25 June 2024 ，
DOI：10.47297/wsprolaadWSP2634-786514.20240503
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Huang Jiahao.Research on "Non-objective" Thinking of Painting Works in the Song Dynasty[J].Research on Literary and Art Development,2024,05(03):82-85.
DOI：

Huang Jiahao.Research on "Non-objective" Thinking of Painting Works in the Song Dynasty[J].Research on Literary and Art Development,2024,05(03):82-85. DOI： 10.47297/wsprolaadWSP2634-786514.20240503.

摘要

Abstract

The "non-objective" aesthetic is the dissimilation of the "objective" aesthetic. From the epistemological perspective

the "objective" aesthetic can not further interpret the spiritual aesthetic pursuit of human beings. However

the "non-objective" aesthetic of the "unity of heaven and man" in Chinese classical aesthetics is reflected in artistic works

which implement the artistic aesthetic of the spiritual world of the aesthetic subject. Through the exploration of the paintings of the two Song Dynasties and the aesthetic pursuit of the two Song Dynasties

this paper further explores the "non-objective" aesthetic activities of Chinese classical aesthetics.

关键词

Keywords

The unity of nature and manArtistic aestheticsSpiritual world

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