Technological addiction and value displacement: the cultural crisis of Chinese science fiction films under the influence of AI

Bingtao Xu; Zongye Gu

doi:10.47297/wsprolaadWSP2634-786516.20250601

PDF
Export
Share
Collection
Album

Technological addiction and value displacement: the cultural crisis of Chinese science fiction films under the influence of AI

Volume 6, Issue 1

Views: 0 Downloads: 0

Technological addiction and value displacement: the cultural crisis of Chinese science fiction films under the influence of AI
Technological addiction and value displacement: the cultural crisis of Chinese science fiction films under the influence of AI
Tianjin Normal University, Tanjin 300387
Vol. 6, Issue 1, Pages: 68-71(2025)
Published：25 February 2025
DOI：10.47297/wsprolaadWSP2634-786516.20250601
Accepted：

Scan QR Code

Xu Bingtao,Gu Zongye.Technological addiction and value displacement: the cultural crisis of Chinese science fiction films under the influence of AI[J].Research on Literary and Art Development,2025,06(01):68-71.
DOI：

Xu Bingtao,Gu Zongye.Technological addiction and value displacement: the cultural crisis of Chinese science fiction films under the influence of AI[J].Research on Literary and Art Development,2025,06(01):68-71. DOI： 10.47297/wsprolaadWSP2634-786516.20250601.

摘要

Abstract

Science fiction films have relied on the continuous advancement of technology

and have attracted audiences with their imaginative visions and profound insights. Currently

artificial intelligence (AI) technology can assist the creation of science fiction films in an efficient and scientific manner. However

challenges such as technological addiction and value displacement have come along with such developments. In this article we discuss AI as a narrative tool and aesthetic object

and accordingly analyze the creative practice of Chinese science fiction films in recent years. We suggest that artistic creation should ensure that form and content complement each other

and jointly build harmony and integrity.

关键词

Keywords

references

Bolter, Jay David, Blair MacIntyre, Maribeth Gandy, and Petra Schweitzer. 2006. "Benjamin's Crisis of Aura and Digital Media." Cinéma & Cie. Film and Media Studies Journal 6 (8).

Davenport, Thomas, Abhijit Guha, Dhruv Grewal, and Timna Bressgott. 2020. "How Artificial Intelligence Will Change the Future of Marketing." Journal of the Academy of Marketing Science 48 (1): 24–42.

Flisfeder, Matthew. 2019. "Blade Runner 2049 (Case Study)." In The Routledge Companion to Cyberpunk Culture, 144–150.

Forster, Nick. 2006. "The Impact of Emerging Technologies on Business, Industry, Commerce and Humanity during the 21st Century." Vision: The Journal of Business Perspective 10 (4): 1–27.

Goswami, Sujoy. 2024. "Chapter-5 From Script to Screen: AI Is Shaping the Future of Film Making." Virtual Reality and Artificial Intelligence Technologies, 55.

Hauser, Frank. 1958. "Science Fiction Films." International Film Annual 2. Doubleday & Co., Inc New York: 87–90.

King, Geoff. 2013. "Spectacle, Narrative, and the Spectacular Hollywood Blockbuster." In Movie Blockbusters, 114–127.

Manovich, Lev. 2017. "Automating Aesthetics: Artificial Intelligence and Image Culture." Flash Art International 316: 1–10.

Sadiq, Tabinda, Sana Masood, and Akram Abdul Rehman. 2024. "Understanding the Experiences, Perspectives of Filmmakers, and Editors with Artificial Intelligence-Powered Tools." Media and Communication Review 4 (1): 186–203.

Sandner, David. 1998. "Shooting for the Moon: Méliès, Verne, Weils, and the Imperial Satire." Extrapolation 39 (1): 5–25.

Wasko, Janet, Mark Phillips, and Chris Purdie. 1993. "Hollywood Meets Madison Avenue: The Commercialization of US Films." Media, Culture & Society 15 (2): 271–293.

Alert me when the article has been cited

Submit

No data

Related Author

No data

Related Institution

No data

⁰