In recent years

numerous films and literary works centered on female protagonists have undergone significant gender-related alterations when their titles were translated into Chinese. This paper takes typical cases such as All I Wanna Do being translated as Fen Sao Da Lian Meng (roughly "Sexy Trouble League")

Young Woman and the Sea as Yong Zhe Zhi Xin ("Heart of the Swimmer")

and Legally Blonde as Lü Zheng Qiao Jia Ren ("Pretty Woman in Law") as entry points to systematically analyze the dual mechanisms of "stigmatization" and "erasure" behind such translations. The study finds that market logic

patriarchal discourse

and translation habits collectively shape gender bias in translated titles

forming a "paradox of the gaze": when female images can be exoticized or sexualized

the translation highlights gender; when female achievements deserve recognition

the translation erases gender. This paper further explores how such rewriting affects public understanding of women's issues and proposes the necessity of dialogue between academic research and public discourse

offering a critical perspective for gender studies in the field of cultural translation.