Design Research on Mount Wutai Lacquer Trays Based on Cultural Hierarchy Theory

Pengyue Li; Tian Tang

doi:10.47297/wsprolaadWSP2634-786525.20260702

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Design Research on Mount Wutai Lacquer Trays Based on Cultural Hierarchy Theory

Volume 7, Issue 2

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Design Research on Mount Wutai Lacquer Trays Based on Cultural Hierarchy Theory
Design Research on Mount Wutai Lacquer Trays Based on Cultural Hierarchy Theory
School of ArtsTianjin University of Technology, Tianjin, 300382, China
Vol. 7, Issue 2, Pages: 113-116(2026)
Published：30 April 2026
DOI：10.47297/wsprolaadWSP2634-786525.20260702
Accepted：

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Li Pengyue,Tang Tian.Design Research on Mount Wutai Lacquer Trays Based on Cultural Hierarchy Theory[J].Research on Literary and Art Development,2026,07(02):113-116.
DOI：

Li Pengyue,Tang Tian.Design Research on Mount Wutai Lacquer Trays Based on Cultural Hierarchy Theory[J].Research on Literary and Art Development,2026,07(02):113-116. DOI： 10.47297/wsprolaadWSP2634-786525.20260702.

摘要

Abstract

This study addresses the lack of cultural depth and regional identity in Mount Wutai's cultural and creative products. Using cultural hierarchy theory

it deconstructs Mount Wutai's cultural resources into three layers: material

behavioral

and spiritual. User needs for lacquer ceremonial trays were analyzed via questionnaire survey. A three-tier design principle—craftsmanship inheritance

functional adaptation

and emotional resonance—was established. Design practice encompassed four dimensions: motif extraction

color system construction

functional form adaptation

and emotional experience design

yielding a series of five lacquer ceremonial trays. Results show that cultural hierarchy theory provides a systematic analytical tool for regional cultural design

effectively enhancing cultural depth and user experience. This study offers a reference for similar regional cultural and creative product development.

关键词

Keywords

references

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