Jiang, X. (2004). Spring Light Cinema: Wong Kar-wai . Beijing: China Radio and Television Publishing House.

Chen, X. G. (2004). Study on Contemporary Chinese Film and Television Culture. Beijing: Peking University Press.

Lu, S. Y. (2004). A History of Contemporary Chinese Cinema: Since 1997. Beijing: Peking University Press.

Balázs, B. (2003). Film Aesthetics. Beijing: China Film Press.

Jameson, F. (1997). Postmodernism and Cultural Theory (trans. by Tang, X. B.). Beijing: Peking University Press, p. 181 .

Shi, Q. (2006). The New Wave of Hong Kong Cinema . Fudan University Press.

Li, Y. Y. (2013). The Paradox of Modernity: Study on Contemporary Chinese Film and Television Culture. Beijing: People's Publishing House.

Su, M. (2001). In the Mood for Love: Wong Kar-wai. Beijing: Chinese Literature Publishing House.

Eagleton, T. (2000). The Illusions of Postmodernism (trans. by Hua, M.). Beijing: The Commercial Press.

Sun, W. C. (2004). Study on Contemporary Hong Kong and Taiwan Cinema . Beijing: China Film Press.

Zhang, Z. F. (2008). A Study on the Narrative Strategies of Wong Kar-wai's Films in the Post-modern Context (Master's Thesis). Nanchang University.

Wang, Q. (2006). A Study on Wong Kar-wai's Films (Master's Thesis). East China Normal University.

Huang, L. (2008). On the Post-modern Characteristics of Wong Kar-wai's Films (Master's Thesis). Central China Normal University. ​

Wang, T. Y. (2015). The Construction of Female Images in Wong Kar-wai's Films (Master's Thesis). Hunan University of Science and Technology. ​

Fan, T. F. (2010). A Brief Discussion on the Post-modern Style of Time and Space in Wong Kar-wai's Films (Master's Thesis). Jilin University of the Arts. ​

Zhang, Y. (2018) . A Study on the Construction of Female Images in Wong Kar-wai's Films (Master's Thesis). Liaoning Normal University. ​

Zhang, Q. (2015). An Interpretation of the Post-modern Style of Wong Kar-wai's Films (Master's Thesis). Nanjing Normal University. ​

Ma, J. Y. (2015). A Study on the Aesthetics of Wong Kar-wai's Films (Master's Thesis). Hunan Normal University. ​