The Dissemination and Transformation of "A Doll's House" in China from the Perspective of Emotional History: An Analysis Centered on the Emotional Community of Nora

Yujia Liu

doi:10.47297/wsprolaadWSP2634-786550.20250604

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The Dissemination and Transformation of "A Doll's House" in China from the Perspective of Emotional History: An Analysis Centered on the Emotional Community of Nora

Volume 6, Issue 4

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The Dissemination and Transformation of "A Doll's House" in China from the Perspective of Emotional History: An Analysis Centered on the Emotional Community of Nora
The Dissemination and Transformation of "A Doll's House" in China from the Perspective of Emotional History: An Analysis Centered on the Emotional Community of Nora
College of History, Capital Normal University, History Education, Beijing, 100089, China
Vol. 6, Issue 4, Pages: 251-256(2025)
Published：30 August 2025
DOI：10.47297/wsprolaadWSP2634-786550.20250604
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Liu Yujia.The Dissemination and Transformation of "A Doll's House" in China from the Perspective of Emotional History: An Analysis Centered on the Emotional Community of Nora[J].Research on Literary and Art Development,2025,06(04):251-256.
DOI：

Liu Yujia.The Dissemination and Transformation of "A Doll's House" in China from the Perspective of Emotional History: An Analysis Centered on the Emotional Community of Nora[J].Research on Literary and Art Development,2025,06(04):251-256. DOI： 10.47297/wsprolaadWSP2634-786550.20250604.

摘要

Abstract

This study is conducted from the perspective of emotional history

focusing on the adaptation

acceptance and dissemination process of Ibsen's A Doll's House in China

and particularly analyzes how the image of "Nora" was transformed into an emotional symbol with symbolic and mobilizing power by different subjects during the May Forth Period. By sorting out the texts of Hu Shi

Lu Xun

Lu Yin and others

and combining the practice of stage plays with social responses

the study aims at presenting a multi-level and heterogeneous social emotional picture. Research has found that the acceptance of the image of Nora during the May Forth Period was essentially an experiment to reconstruct the emotional system. Different groups localized the individualistic emotions in the work and completed the symbolic reconstruction. The construction of the emotional community of Nora not only promoted the awakening of gender consciousness but also facilitated the transformation of social structural imagination

which provides a richer path for understanding the May Fourth Movement and its historical influence.

关键词

Keywords

references

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Q. Edward Wang (2021) Emotions history in China—Editor's introduction, Chinese Studies in History, 54:4, 271-274.

Lin Hunt, Family Romance During the French Revolution, translated by Zheng Mingxuan and Chen Ying, Beijing, 2008 Edition, The Commercial Press.

Wang Qingjia, "What is the History of Emotions?" Shanghai People's Publishing House, 1st Edition, June 2024, Guangqi Bookstore.

Zhang Xianfei. Rational Awareness, Emotional Transfer and the Cultivation of Spiritual Capacity: Zhou Zuoren's Thoughts on the Mental Conditions for Breaking the "Barrier" during the May-Fourth period [J]. Zhongzhou Academic Journal,2008,(05):247-251.

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Lu Yin, Old Friends by the Seaside, Guangdong Tourism Publishing House, 2024. Cao Bingbing, Zhu Zhengye. "Urban Fringe People: An Analysis of the Group of Female Workers in Modern Shanghai Textile Factory's Body-Wrapping Workshop [J]. Journal of West Anhui University,2018,34(03):126-131."

national newspapers and periodicals index, Nora TV: theory of nanjing Nora, Ling Wu, "new. society", https://www.cnbksy.com/search/detail/1791387cb455dbe4b1031ca6b429c37c/7/0

Lu Xun, "Sorrow and Death", October 21, 1925, was exported from Wikisource on February 15, 2025.

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