A New Narrative of Xianxia Dramas from a Feminist Perspective--Take "Feud" as an Example

Beichen Xiao

doi:10.47297/wsprolaadWSP2634-786557.20250605

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A New Narrative of Xianxia Dramas from a Feminist Perspective--Take "Feud" as an Example

Volume 6, Issue 5

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A New Narrative of Xianxia Dramas from a Feminist Perspective--Take "Feud" as an Example
A New Narrative of Xianxia Dramas from a Feminist Perspective--Take "Feud" as an Example
Macau University of Science and Technology, Macau, 999078, China
Vol. 6, Issue 5, Pages: 266-270(2025)
Published：30 October 2025
DOI：10.47297/wsprolaadWSP2634-786557.20250605
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Xiao Beichen.A New Narrative of Xianxia Dramas from a Feminist Perspective--Take "Feud" as an Example[J].Research on Literary and Art Development,2025,06(05):266-270.
DOI：

Xiao Beichen.A New Narrative of Xianxia Dramas from a Feminist Perspective--Take "Feud" as an Example[J].Research on Literary and Art Development,2025,06(05):266-270. DOI： 10.47297/wsprolaadWSP2634-786557.20250605.

摘要

Abstract

Against the context of the increasing demand for TV dramas and films from the current audience

xianxia dramas

as a unique form of drama in China

not only reflect distinctive cultural and religious characteristics but also shows the gender power consciousness of Chinese creators. This article explore deeply into the gender narrative in the recently aired xianxia drama "Feud"

and through a systematic analysis of previous research in the fields of xianxia dramas and female narratives

reveals the current narrative predicaments faced by xianxia dramas and the development trends of gender narratives they reflect. By applying the text analysis method and content research method

it is concluded that "contemporary new xianxia represented by 'Feud'

while integrating traditional Chinese cultural elements

also attempts to synchronize the gender power structure with contemporary consciousness."

关键词

Keywords

references

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Tian Wandan & Shi Song. (2024). The International Dissemination of Chinese Xianxia Dramas: Mythological Narratives and Cultural Identity. Chinese National Art, (02), 20-29.

Ouyang Zhao & Liang Ying. (2018). Narrative Innovation of Domestic Xianxia Dramas "Qingyun Zhi" and "Three Lives and Three Worlds, Ten Miles of Peach Blossoms". Journal of Chongqing University of Posts and Telecommunications (Social Sciences Edition), 30 (04), 127-134.

Wang Mengyao. (2024). The Blending of Reality and Surrealism: On the World Construction of Xianxia Dramas. Comedy World (First Half of the Month), (06), 111-114.

Lin Ziren. (2022). The Future of Xianxia Dramas and Changes in Gender Concepts: Starting from "The Legend of Canglan". Exclusive Interview by Jiemian News · Culture. Jiemian.com. https://www.jiemian.com/article/8230368.html

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Wang Benzheng. (2019). Research on the Narrative of Currently Popular Xianxia Dramas in China (Master's Thesis, Hunan University). Master's .

Song Yu. (2022). The New Female Narrative Dilemma of Domestic Animated Films [J]. Journal of Shanghai University (Social Sciences Edition),39(2):67-81.

Guo Jingping. (2009). Emotional Civilization Construction: Emotional Control and Emotional Empowerment. Guangdong Social Sciences, (02), 160-166.

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