8卷 第1期
诗歌不会优化,对人工智能来说,诗歌是什么
诗歌不会优化,对人工智能来说,诗歌是什么
- 2024年8卷第1期 页码:48-70
纸质出版:2024-03-30
DOI:10.12184/wspppllWSP2515-527X03.20240801
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8卷 第1期
上海大学外国语学院,上海,200444
纸质出版:2024-03-30
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.诗歌不会优化,对人工智能来说,诗歌是什么[J].批评理论,2024,08(01):48-70.
米歇尔. 埃兰 & 杨明珠. (2024). 诗歌不会优化,对人工智能来说,诗歌是什么. CRITICAL THEORY, 8(1), 48-70..
.诗歌不会优化,对人工智能来说,诗歌是什么[J].批评理论,2024,08(01):48-70. DOI: 10.12184/wspppllWSP2515-527X03.20240801.
米歇尔. 埃兰 & 杨明珠. (2024). 诗歌不会优化,对人工智能来说,诗歌是什么. CRITICAL THEORY, 8(1), 48-70.. DOI: 10.12184/wspppllWSP2515-527X03.20240801.
文学、诗歌和其他形式的非商业性创造性表达,向技术工具主义的语言方法、预测性语言生成、NLP(大型自然语言处理模型,如 GPT-3或GPT-4)以及更广泛的生成式AI(从文本到图像、视频、音频)提出了挑战。关于AI系统能自动化和加快创造力的说法,反映了行业和研究领域优先考虑速度、规模、优化和无摩擦方面,这也是AI设计和应用的主要驱动力。但诗歌不会优化;创作过程不能简化为一个(计算机屏幕上的)指令。有人指出,AI生成或增强的文学创作充其量只能提供没有意义的形式;本文以 GPT 指令创作的玛雅-安杰洛(Maya Angelou)的诗歌《我依然站起来》(
Still I Rise
)为案例,论证了 NLP 的预测性语言生成和我所说的算法非历史性也会——更令人不安的是——使意义变得毫无意义。在这个过程中,GPT的文学实验并没有“失败”,是因为它未达到文学标准这一不断变动的目标,这不是因为技术不足,而是因为它可能使人们更难以描述和导航他们的现实。结论部分探讨了AI作为文学对话者和超越优化的创造性参与的一个例子。
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