论非自然叙事与后现代叙事的界面问题

郝慧敏

doi:10.12184/wspppllWSP2515-527X06.20240804

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8卷第4期

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论非自然叙事与后现代叙事的界面问题
论非自然叙事与后现代叙事的界面问题
上海大学，上海 200444
2024年8卷第4期页码：71-85
纸质出版日期：2024-12-30
DOI：10.12184/wspppllWSP2515-527X06.20240804
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郝慧敏.论非自然叙事与后现代叙事的界面问题[J].批评理论,2024,08(04):71-85.

郝慧敏. (2024). 论非自然叙事与后现代叙事的界面问题. CRITICAL THEORY, 8(4), 71-85..
郝慧敏.论非自然叙事与后现代叙事的界面问题[J].批评理论,2024,08(04):71-85. DOI： 10.12184/wspppllWSP2515-527X06.20240804.

郝慧敏. (2024). 论非自然叙事与后现代叙事的界面问题. CRITICAL THEORY, 8(4), 71-85.. DOI： 10.12184/wspppllWSP2515-527X06.20240804.

摘要

非自然叙事学将具有先锋实验性质的后现代叙事作品作为重要研究对象，但这并不意味着非自然叙事等同于后现代叙事。本文拟从本质属性、支配因子和理论诉求三个界面，探讨非自然叙事与后现代叙事的互动与偏离。其一，因研究者的个体差异，非自然叙事的本质呈现“摹仿”与“反摹仿”的内在矛盾性，但其“反摹仿”性远胜于“摹仿”性；后现代叙事则“摹仿”与“反摹仿”并重。其二，非自然叙事的支配因子是认识论，关涉读者怎样认识和接受叙事文本的问题；后现代叙事的支配因子是本体论，前置的是作者/个体能否想象与认识世界的问题。其三，非自然叙事与后现代叙事均含有“游戏”因素，但前者是以阐释结束为终局的“有限游戏”，而后者则是以持续游戏为目标的“无限游戏”，通向生命源头的精神之自由。

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