Cross-Media Creation and Cultural Creative Transformation: Dual Practices of Visual Revitalization of Cultural Heritage

Shuting Ge

doi:10.47297/wspciWSP2516-252716.20261003

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Cross-Media Creation and Cultural Creative Transformation: Dual Practices of Visual Revitalization of Cultural Heritage

10卷第3期

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Cross-Media Creation and Cultural Creative Transformation: Dual Practices of Visual Revitalization of Cultural Heritage
Cross-Media Creation and Cultural Creative Transformation: Dual Practices of Visual Revitalization of Cultural Heritage
Yanbian University, Yanji, Jilin, 133002, China
2026年10卷第3期页码：76-80
纸质出版：2026-06-30
DOI：10.47297/wspciWSP2516-252716.20261003
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Shuting Ge. (2026). Cross-Media Creation and Cultural Creative Transformation: Dual Practices of Visual Revitalization of Cultural Heritage. 创意与创新（英文版）, 10(3), 76-80.

Ge Shuting.Cross-Media Creation and Cultural Creative Transformation: Dual Practices of Visual Revitalization of Cultural Heritage[J].Creativity and Innovation,2026,10(03):76-80.
Shuting Ge. (2026). Cross-Media Creation and Cultural Creative Transformation: Dual Practices of Visual Revitalization of Cultural Heritage. 创意与创新（英文版）, 10(3), 76-80. DOI： 10.47297/wspciWSP2516-252716.20261003.

Ge Shuting.Cross-Media Creation and Cultural Creative Transformation: Dual Practices of Visual Revitalization of Cultural Heritage[J].Creativity and Innovation,2026,10(03):76-80. DOI： 10.47297/wspciWSP2516-252716.20261003.

摘要

Abstract

Cultural heritage revitalization stands as a core issue in contemporary cultural construction

bearing on the continuation of national cultural genes and the shaping of spiritual identity. Taking Dunhuang murals and ancient Chinese mythology as research objects

this paper adopts formal analysis and semiotic interpretation based on the author's practical cases to explore the contemporary translation mechanism of traditional visual resources. It conducts an ontological study of Dunhuang mural visual language via thematic sorting and textual cross-verification

analyzes the translation logic of digital video and oil painting for Dunhuang art

and explains the transformation law of myth-themed blind box design and the theoretical basis of cross-cultural aesthetic integration. The study concludes that mastery of ontological language is the prerequisite for cultural heritage revitalization

and creative transformation can be realized through media adaptation and aesthetic dialogue. Young practitioners as cultural translators can integrate cultural heritage into contemporary life and sustain cultural lineage.

关键词

Keywords

references

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