Sensory Reconstruction of Fan Interaction with Virtual Idols from a Posthuman Perspective: A Study of Embodied Practice Based on PLAVE

Meisi Liu

doi:10.47297/wspciWSP2516-252722.20261004

PDF
导出
分享
收藏
专辑

Sensory Reconstruction of Fan Interaction with Virtual Idols from a Posthuman Perspective: A Study of Embodied Practice Based on PLAVE

10卷第4期

浏览量: 0 Downloads: 0

Sensory Reconstruction of Fan Interaction with Virtual Idols from a Posthuman Perspective: A Study of Embodied Practice Based on PLAVE
Sensory Reconstruction of Fan Interaction with Virtual Idols from a Posthuman Perspective: A Study of Embodied Practice Based on PLAVE
Beijing Film Academy, Beijing, 100088, China
2026年10卷第4期页码：113-116
纸质出版：2026-08-30
DOI：10.47297/wspciWSP2516-252722.20261004
Accepted：

Scan QR Code

Meisi Liu. (2026). Sensory Reconstruction of Fan Interaction with Virtual Idols from a Posthuman Perspective: A Study of Embodied Practice Based on PLAVE. 创意与创新（英文版）, 10(4), 113-116.

Liu Meisi.Sensory Reconstruction of Fan Interaction with Virtual Idols from a Posthuman Perspective: A Study of Embodied Practice Based on PLAVE[J].Creativity and Innovation,2026,10(04):113-116.
Meisi Liu. (2026). Sensory Reconstruction of Fan Interaction with Virtual Idols from a Posthuman Perspective: A Study of Embodied Practice Based on PLAVE. 创意与创新（英文版）, 10(4), 113-116. DOI： 10.47297/wspciWSP2516-252722.20261004.

Liu Meisi.Sensory Reconstruction of Fan Interaction with Virtual Idols from a Posthuman Perspective: A Study of Embodied Practice Based on PLAVE[J].Creativity and Innovation,2026,10(04):113-116. DOI： 10.47297/wspciWSP2516-252722.20261004.

摘要

Abstract

Iterations in digital technology have driven virtual idol interactions from traditional visual gazing towards immersive

embodied interaction. Within a posthuman context

the blurring of boundaries between the virtual and the real

and human–machine symbiosis

have become core characteristics of virtual fan culture. The Republic of Korean virtual boy band PLAVE utilises real-time motion capture technology to construct a dual-scenario interactive model combining 'online live streaming and offline stage performances'. Through its unique format of 'virtual avatars combined with real-time performances by the performers behind them'

it has given rise to new communicative phenomena such as the disembodiment of fans' audiovisual senses

blurred identity perception

and the reconstruction of interactive experiences. Drawing on posthumanist theory

embodied cognition theory and quasi-social interaction theory [

]

. Employing qualitative research methods such as literature review

participant observation

in-depth interviews and text analysis

this study focuses on the embodied practices of PLAVE fans to investigate the generative mechanisms of sensory reconstruction among virtual idol fans. It analyses the bidirectional impact of 'peeling' behaviour by the performers

visual technical glitches and identity ambiguity on the fan experience

and summarises the fans' interactive adaptation strategies.The study found that technological mediation breaks down the boundaries of traditional bodily senses

enabling fans to deconstruct and reorganise their audiovisual senses through the interaction between the virtual and real worlds; the dual virtual and real identities of the 'person behind the avatar' create a cognitive dilemma that both deepens emotional connections and triggers experiential imbalances; visual glitches—such as frame stuttering and modelling clipping—and identity uncertaint

y jointly modulate fans' embodied interactions; fans maintain the stability of these interactions through cognitive adaptation

behavioural adjustment and community co-creation. This study constructs an integrated analytical framework of 'sensory experience – identity – emotion – behaviour'

filling a gap in research on the interplay between sensory experience and identity perception

and providing theoretical references and practical pathways for the design of virtual idol audiovisual interactions

fan relationship management

and the healthy development of the industry.

关键词

Keywords

references

Hayles, N. K. How We Became Posthuman [M]. Chicago: University of Chicago Press, 1999.

Wang Yi, Huang Wenhu. 'The Technological Drivers and Ethical Norms of Virtual Idols from a Posthuman Perspective' [J]. Future Communication, 2021.

Yuan Mengqian. The Interaction between Cyborgs and Virtual Idols: Transmedia Art, Technology and the Body in the Posthuman Era [J]. Media Criticism, 2020.

Yu Guoming, Geng Xiaomeng. A Discussion on the Technological Empowerment and Deconstruction of Simulacra in Virtual Idols in the Age of Artificial Intelligence [J]. Journal of Shanghai Jiao Tong University (Philosophy and Social Sciences Edition), 2020.

Li Jia, Chen Feiyang. A Study of Online Interactions Between Virtual Idols and Their Fan Communities: A Case Study of the Virtual Diva 'Luo Tianyi' [J]. China Youth Studies, 2018.

Zhou Xinyue, Yan Xiao. Distant and Proximal Senses: A Study on Differences in the Sensory Credibility and Acceptance of Virtual Idols [J]. 2023.

Zhao Haiming. An Exploration of Virtual Body Communication and Post-Human Bodily Subjectivity [D]. Chongqing: Southwest University, 2020.

Wu Chunxiao. A Study on the Multi-Agent Co-Construction Mechanism of Virtual Idol Images — An Analysis of Quasi-Social Interaction Practices Based on the PLAVE Fan Community [J]. Journal of Hubei University of Economics (Humanities and Social Sciences Edition), 2026, 23 (01): 108–112.

Hu Zijia. From Human–Machine Relationships to Interpersonal Relationships: A Study of Quasi-Social Interaction Between the 'Person Behind the Avatar' and the Audience in Virtual Avatar Live-Streaming Rooms [J]. New Media Research, 2025 (10): 57–62.

Wu Jingyu, Gao Biyao. From Interactive Medium to Relational Subject: The Dynamic Evolution of the Value of the 'Person Behind the Screen' from the Perspective of Pseudo-Social Relationships [J]. Youth Journalist, 2024.

Wang Yiding. Emotional Labour and Digital Bonds: The Construction of Relational Labour by the 'Person Behind the Screen' in Virtual Broadcasting [J]. 2025.

Kim S, et al. I Stan Alien Idols and Also the People Behind Them: Understanding the Seams Between Virtual and Real Identities in VTuber Fandom—A Case Study of PLAVE [C]//CHI 2025. New York: ACM Press, 2025.

Outlaw L, et al. Entertainers Between Real and Virtual: Investigating Viewer Interaction, Engagement, and Relationships with Avatarised Virtual Livestreamers [C]//2024.

Sun Y, et al. Sensory Stimuli and Fan Engagement in Virtual Idol Environments: An S–O–R Model Perspective [J]. Advances in Social Behaviour Research, 2026.

Hwang Y, et al. Gaze Strategies in Virtual Idol Livestreams and Their Influence on Social Presence and Trust [J]. 2025.

van Berlo Z M C. Making and Breaking Parasocial Relationships with Human and Virtual Influencers [J]. 2025.

Choong X Y. Digital Intimacy: Investigating Parasocial Phenomena with Virtual Streamers [D]. 2024.

Sun Y T, et al. A study on the relationship between virtual idols and fans from a parasocial interaction perspective: a three-dimensional framework of cognition, emotion, and behaviour [J]. Advances in Social Behaviour Research, 2025, 16 (09).