With the innovative development of artificial intelligence-generated content (AIGC)

the film industry is undergoing a transformative shift from manual labor to intelligent

process-driven production. This study examines how AIGC technology permeates the entire cinematic production process

exploring the management models emerging across creative stages and production phases

as well as the fundamental changes it brings to media literature forms

creative methodologies

and communication paradigms. Employing an interdisciplinary approach combining philosophy of technology and industrial economics

the paper analyzes specific case studies and theoretical frameworks to reveal AIGC's profound implications for modern film industrialization systems and media literature ontology. Research demonstrates that AIGC not only redefines spatial-temporal frameworks and resource allocation models in film production

but also establishes innovative human-machine collaborative relationships among creators

facilitating the evolution of cinematic narratives from linear storytelling to cross-media and interactive formats.