9卷 第1期
1.School of Liberal Arts, Lanzhou University; Lanzhou, China; syzy0426@163.com.
2.Advanced Research Institute of Humanities and Social Sciences, Chongqing University, Chongqing, China; yfei_huang@163.com.
3.School of Liberal Arts, Guangxi Normal University, Guilin, China
纸质出版：2025-05-29
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(2025). The Quarantine Narrative of Epidemic Films: A Case study of South Korean Film
Zhang Siyang,Huang Yafei,Mai Yongxiong.The Quarantine Narrative of Epidemic Films: A Case study of South Korean Film The Flu[J].Critical Theory,2025,09(01):82-92.
(2025). The Quarantine Narrative of Epidemic Films: A Case study of South Korean Film
Zhang Siyang,Huang Yafei,Mai Yongxiong.The Quarantine Narrative of Epidemic Films: A Case study of South Korean Film The Flu[J].Critical Theory,2025,09(01):82-92. DOI： 10.47297/wspctWSP2515-470209.20250901.
In the era of the Covid-19 pandemic
the resurgence of epidemic films has attracted attention and research from scholars
and the discourse of such works and research status should be comprehensively examined in the post-pandemic era. Quarantine is often the most traditional non-medical intervention in epidemic prevention and control
and it often becomes a typical narrative space in epidemic films. The Korean film
The Flu
(2013)
the representation of quarantine serves as a form of social critique. It not only dramatizes conflicts surrounding the pandemic but also reflects Korea's desire for independence
offers a critique of the economically privileged class and reframes the relationship between facts and values. During the prevalence of the novel coronavirus
cultural debates involving Agamben
Nancy
Esposito
and others serve as a reference point for the film
the Flu
offering a rich interpretative space within its quarantine scenes. This paper conducts a biopolitical analysis of the isolation scenes in "Flu
" revealing the power dynamics and ideological nuances inherent in the represented quarantine through a contrast analysis of reality and visual narratives.Through a comparative analysis of how the quarantine is represented
this paper decodes how the epidemic prevention and control measures serve to construct and dismantle the binary opposition between the unhealthy/healthy
people/government
poverty/privileged
science/politics
and facts/values
highlighting the reality concerns of literary and art research.The dismantling of binary oppositions eliminates the estrangement resulting from prejudices or preconceptions
facilitating the construction of a genuine community of life.
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