[Qing] Ruan Yuan (correction engraving). Annotations on the Thirteen Classics [M]. Beijing: Zhonghua Book Company, 1980:795.[2] [Qing] Ruan Yuan (correction engraving). Annotations on the Thirteen Classics [M]. Beijing: Zhonghua Book Company, 1980:1951.[3] is the same as [2].[4] Yang Bojun. Annotations to the Zuo Zhuan of the Spring and Autumn Period (Revised Edition) [M]. Beijing: Zhonghua Book Company, 2016:1090-91.[5] Guo Moruo: Photograph Compilation, Investigation and Interpretation of Two Zhou's Bronze Inscriptions. [M] Beijing: Science Press, 1957.[6] Qiu Xigui. “Discussion on Zifan chime bells” [J]. Taipei: Palace Museum Cultural Relics Monthly, Vol.13, No.5, 1995. Coauthor. Qiu Xigui Academic Collection (Volume 3) [M]. Shanghai: Fudan University Press, 2012:91.[7] Zhu Fenghan. Ancient Chinese Bronzes [M]. Tianjin: Nankai University Press, 1995:242 -- 43.[8] Huang Xiquan, Yu Bingwen. “Preliminary interpretation of the inscriptions on the Chu Duke Ni bell unearthed from the tomb of Marquis Jin in Shanxi” [J]. Archaeology, 1995 (2).[9] Li Chunyi. A General survey of Unearthed Musical Instruments in Ancient China [M]. Beijing: Cultural Relics Publishing House, 1996:288.[10] Tang Lan. “Notes on Ancient Musical Instruments” [J]. Yanjing Journal, 1933 (14).[11] Wu Zhenfeng, Integration of Bronze Inscriptions and Images in Shang and Zhou Dynasties, Shanghai: Shanghai Ancient Books Publishing House, 2012.[12] Wang Lina. “Notes and Commentaries On The Zifan Musical Bells” [J]. Master's Thesis of Chongqing Normal University, 2017: page 25.[13]is the same as [6].