5卷 第3期
History of Art and Architecture, Boston University, Boston, US
纸质出版日期： 2024-06-25 ，
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The Fluxus Movement on Exploring the Awkward and the Absurd: Yoko Ono[J]. 文艺发展研究（英文版）, 2024,5(3):5-15.
Zhang Qiongdan.The Fluxus Movement on Exploring the Awkward and the Absurd: Yoko Ono[J].Research on Literary and Art Development,2024,05(03):5-15.
The Fluxus Movement on Exploring the Awkward and the Absurd: Yoko Ono[J]. 文艺发展研究（英文版）, 2024,5(3):5-15. DOI： 10.47297/wsprolaadWSP2634-786501.20240503.
Zhang Qiongdan.The Fluxus Movement on Exploring the Awkward and the Absurd: Yoko Ono[J].Research on Literary and Art Development,2024,05(03):5-15. DOI： 10.47297/wsprolaadWSP2634-786501.20240503.
Yoko Ono
a central
figure in the Fluxus movement
revolutionizes contemporary art through her innovative conceptual and performance pieces. Her work seamlessly merges poetry with performative elements
fostering profound interactivity between the artwork and the viewer. Key themes in Ono's art include memory
identity
and the physical form
through which she addresses broader social and political issues. Notable works like Cut Piece and Film Bottom No. 4 illustrate her dedication to using art as a tool for social critique and transformation
challenging conventional notions of identity and prompting a reevaluation of interpersonal dynamics within historical and contemporary contexts. By integrating the awkward and often uncomfortable aspects of human interaction and body politics
Ono embodies the Fluxus movement's embrace of absurdity
subverting traditional art conventions. This paper explores how Ono's art confronts societal norms of bodily presentation and social interaction
highlighting the fluidity of memory and the potential for art to foster communal understanding and peace. Through her emphasis on concept over object
Ono redefines the roles of artist and viewer
making the creative process an active
participatory experience that continually questions and redefines the essence of art.
KEYWORDS
Yoko Ono; Fluxus movement; Absurdity; Performance art; Memory and identity; Historical trauma
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