Feminist Interpretations of Selected Women’s Fiction in The Classics of Chinese Literature

Lijuan Jiang

doi:10.47297/wsprolaadWSP2634-786502.20220301

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Feminist Interpretations of Selected Women’s Fiction in The Classics of Chinese Literature

3卷第1期

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Feminist Interpretations of Selected Women’s Fiction in The Classics of Chinese Literature
Feminist Interpretations of Selected Women’s Fiction in The Classics of Chinese Literature
1. Philippine Christian University Center for International Education
2. Youjiang Medical University for Nationalities
2022年3卷第1期页码：11-14
纸质出版日期： 2022 ，
DOI：10.47297/wsprolaadWSP2634-786502.20220301
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Feminist Interpretations of Selected Women’s Fiction in The Classics of Chinese Literature[J]. 文艺发展研究（英文版）, 2022,3(1):11-14.

LIJUAN JIANG. Feminist Interpretations of Selected Women’s Fiction in The Classics of Chinese Literature. [J]. Research on literary and art development, 2022, 3(1): 11-14.
Feminist Interpretations of Selected Women’s Fiction in The Classics of Chinese Literature[J]. 文艺发展研究（英文版）, 2022,3(1):11-14. DOI： 10.47297/wsprolaadWSP2634-786502.20220301.

LIJUAN JIANG. Feminist Interpretations of Selected Women’s Fiction in The Classics of Chinese Literature. [J]. Research on literary and art development, 2022, 3(1): 11-14. DOI： 10.47297/wsprolaadWSP2634-786502.20220301.

摘要

Abstract

In the long history of Chinese literature development

due to the influence of feminist movements in some western countries

some literary works with more distinctive feminist characteristics have appeared in China. Feminist consciousness can be found in most of the classic literary works in China. The feminist characteristics expressed in the literary works of different periods are different

but on the whole

the feminist consciousness expressed in feminist literary works in China is continuously developing and progressing. This essay analyzes feminism and the specific manifestation of feminism in modern Chinese literature.

关键词

Keywords

Literary ClassicsFeminismFiction

references

Peng Xu, Xiao Xia. The Woman’s Flower of the Soul of Heaven and Earth - The Female Self in the Literary World of Nobuko Yoshiya. Lanzhou Journal 000.001(2018):107-16.[2] Sun Lizhen, Hou Dongxiao. "Slow Aesthetics and Feminine Consciousness in Hou Xiaoxian’s films-from Goodbye, Southern Country to The Assassin Nie Yinniang"[J]. Taiwan Studies Collected Works, 2020(3):9.[3] Li Yaping. "The Spatial Wording of Female Consciousness in Sangqing and Taohong"[J]. Journal of Xiangtan University: Philosophy and Social Science Edition, 2021, 45(5):5.[4] Liang Yingjian, Wang Mengjie, Lu Xu. "The Self-awakening of Women’s Consciousness in the Modern Inheritance of National Spirit--a Review of the Television Series The Moon and Flowers Were in Full Bloom That Year"[J]. China TV, 2018(7):4.[5] Fu Shouxiang, Yang Yang. "The Literary Unleashing of Modern Women’s Consciousness and Two Kinds of Revolutions--an Examination and Reflection on Pride and Prejudice and Jane Eyre as Examples" [J]. Journal of Yunnan University: Social Science Edition, 2020, 19(6):8.[6] Zhou Qian. "The Awakening of Women’s Consciousness--The Re-recognition of Meng Lijun’s Image in the Shaoxing Opera Resurrection - Destiny" [J]. Chinese Drama, 2018(11):4.

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