For the shaping of social marginal figures

Jia Zhangke has a unique set of audio-visual expression techniques

and pays more attention to the simple life texture in the audio-visual performance.The narrative language of the film serves the image shaping of its marginal groups. Since the first film

The Hill Going Home

Jia Zhangke has been adhering to his own unique acoustic and painting language to carry out marginal narrative and pay attention to the marginal social groups in a realistic way.By analyzing Jia Zhangke’s films

this paper studies the marginality of his film narrative language

which is divided into two parts: “marginal” of picture language and “marginal” of sound language. By studying the edge of Jia Zhangke’s film narrative language

he tries to summarize his narrative characteristics and explore the profound social value and significance of his film.