An Analysis of the Cultural Connotation of the Integration of "Poetry, Calligraphy, Painting, and Seal" in Ming and Qing Literati Painting and Calligraphy

Xiaofeng Li

doi:10.47297/wsprolaadWSP2634-786504.20260701

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An Analysis of the Cultural Connotation of the Integration of "Poetry, Calligraphy, Painting, and Seal" in Ming and Qing Literati Painting and Calligraphy

7卷第1期

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An Analysis of the Cultural Connotation of the Integration of "Poetry, Calligraphy, Painting, and Seal" in Ming and Qing Literati Painting and Calligraphy
An Analysis of the Cultural Connotation of the Integration of "Poetry, Calligraphy, Painting, and Seal" in Ming and Qing Literati Painting and Calligraphy
Xinjiang Normal University, Urumqi, Xinjiang, 830054, China
2026年7卷第1期页码：18-20
纸质出版：2026-02-28
DOI：10.47297/wsprolaadWSP2634-786504.20260701
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Xiaofeng Li. (2026). An Analysis of the Cultural Connotation of the Integration of "Poetry, Calligraphy, Painting, and Seal" in Ming and Qing Literati Painting and Calligraphy. 文艺发展研究（英文版）, 7(1), 18-20.

Li Xiaofeng.An Analysis of the Cultural Connotation of the Integration of "Poetry, Calligraphy, Painting, and Seal" in Ming and Qing Literati Painting and Calligraphy[J].Research on Literary and Art Development,2026,07(01):18-20.
Xiaofeng Li. (2026). An Analysis of the Cultural Connotation of the Integration of "Poetry, Calligraphy, Painting, and Seal" in Ming and Qing Literati Painting and Calligraphy. 文艺发展研究（英文版）, 7(1), 18-20. DOI： 10.47297/wsprolaadWSP2634-786504.20260701.

Li Xiaofeng.An Analysis of the Cultural Connotation of the Integration of "Poetry, Calligraphy, Painting, and Seal" in Ming and Qing Literati Painting and Calligraphy[J].Research on Literary and Art Development,2026,07(01):18-20. DOI： 10.47297/wsprolaadWSP2634-786504.20260701.

摘要

Abstract

During the Ming and Qing periods

literati painting and calligraphy art reached an unprecedented peak. The integrated art form of "poetry

calligraphy

painting

and seal" became a crucial means for literati to express themselves and pursue artistic excellence. This article aims to explore the cultural connotations of this art form by analyzing the intertextuality of its artistic expression

the unity of form and spirit

the fusion of seal carving art with pictorial space

and the harmonious composition of the overall layout. The investigation reveals that the integration of "poetry

calligraphy

painting

and seal" is both an artistic technique and a comprehensive manifestation of literati spirit

aesthetic pursuit

and philosophical thought. It embodies the literati's profound understanding of nature

the cosmos

and their worldview.

关键词

Keywords

references

Huang Yifan. Analysis of the Causes of Damage and Surface Coating Techniques of Ming and Qing Literati Painting Fan Leaves—Taking 11 Fan Leaf Artifacts in the Collection of Sichuan Museum as Examples[J]. Sciences of Conservation and Archaeology, 2024, 36 (05): 83-95.

Cheng Huining. Expressing Feelings with Brush and Ink, between Calligraphy and Painting—Appreciation of Ming and Qing Literati Painting and Calligraphy Works[J]. Collection World, 2012, (11): 62-67.

Zhong Yueying. "The One-Stroke Theory of Mind and Nature" — An Overview of the "One-Stroke" Theory by the Qing Dynasty Painter Shi Tao[J ] . Art Panorama , 2023, (10): 147-152.

Zhao Yan. A Preliminary Study on the Influence of "Harmony Between Heaven and Humanity" on Chinese Calligraphy and Painting[J ] . Art World , 2011, (06): 264+271.

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