Angels Wear White: Victimized Female Images and the Revelation 
of Female Agency

Ruonan Zhang

doi:10.47297/wsprolaadWSP2634-786508.20210203

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Angels Wear White: Victimized Female Images and the Revelation
of Female Agency

2卷第3期

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Angels Wear White: Victimized Female Images and the Revelation of Female Agency
Angels Wear White: Victimized Female Images and the Revelation of Female Agency
Chapman University Dodge College of Media Arts
2021年2卷第3期页码：32-35
纸质出版日期： 2021 ，
DOI：10.47297/wsprolaadWSP2634-786508.20210203
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Ruonan Zhang. Angels Wear White: Victimized Female Images and the Revelation of Female Agency[J]. 文艺发展研究（英文版）, 2021,2(3):32-35.

RUONAN ZHANG. Angels Wear White: Victimized Female Images and the Revelation of Female Agency. [J]. Research on literary and art development, 2021, 2(3): 32-35.
Ruonan Zhang. Angels Wear White: Victimized Female Images and the Revelation of Female Agency[J]. 文艺发展研究（英文版）, 2021,2(3):32-35. DOI： 10.47297/wsprolaadWSP2634-786508.20210203.

RUONAN ZHANG. Angels Wear White: Victimized Female Images and the Revelation of Female Agency. [J]. Research on literary and art development, 2021, 2(3): 32-35. DOI： 10.47297/wsprolaadWSP2634-786508.20210203.

摘要

Abstract

Angels Wear White (2017)

directed by Vivian Qu

is considered one of the best anti-sexual abuse films produced in China in recent years. Instead of telling the story as a social event in a direct and explicit way

this film focuses on portraying images of lower class women and revealing various forms of oppression generated by patriarchal ideology. Through analyzing the female characters

this article uses feminist theories to illustrate how the director manages to complicate victimized female image and multiple layers of individual agency.

关键词

Keywords

Anti-sexual abuseFeminist theories

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