In the global cultural landscape

"soft power" has become a core element of a nation's comprehensive strength. Chinese ceramics

as the material and spiritual crystallization of Chinese civilization

serve as a significant vehicle for its cultural "soft power." Ceramic motifs

integrating history

philosophy

folklore

and art

are central to this endeavour. The effectiveness of their cross-cultural communication directly impacts the international recognition and influence of Chinese culture. This study

focusing on the translation of ceramic motifs

and drawing upon theories of text typology

cultural default

and terminology management

provides an in-depth analysis of the principles

strategies

and challenges in translating these motifs into English. The paper identifies current issues such as the loss of cultural imagery

terminological inconsistency

and insufficient aesthetic representation. To address these

it proposes the construction of an accurate

systematical

and aesthetic sensible translation framework for ceramic motifs. This can be achieved through the development of standardized terminology databases

the enhancement of translators' cross-cultural competence

and the application of multi-dimensional translation strategies. Such an approach can effectively bridge cultural divides

facilitating a transition from mere "linguistic transfer" to profound "cultural communication." This process is not merely a technical practice of translation but a strategic initiative to actively engage in global cultural dialogue

shape a positive national image for China

and strengthen its cultural "soft power."