Female Departures: an Existentialist Feminist Reading of "Like a Rolling Stone"

Jianrong Zhang

doi:10.47297/wsprolaadWSP2634-786537.20250603

PDF
导出
分享
收藏
专辑

Female Departures: an Existentialist Feminist Reading of "Like a Rolling Stone"

6卷第3期

浏览量: 0 Downloads: 0

Female Departures: an Existentialist Feminist Reading of "Like a Rolling Stone"
Female Departures: an Existentialist Feminist Reading of "Like a Rolling Stone"
School of English Studies, Tianjin Foreign Studies University, Tianjin, 300204, China
2025年6卷第3期页码：175-178
纸质出版日期：2025-06-24
DOI：10.47297/wsprolaadWSP2634-786537.20250603
Accepted：

Scan QR Code

(2025). Female Departures: an Existentialist Feminist Reading of "Like a Rolling Stone". 文艺发展研究（英文版）, 6(3), 175-178.

Zhang Jianrong.Female Departures: an Existentialist Feminist Reading of "Like a Rolling Stone"[J].Research on Literary and Art Development,2025,06(03):175-178.
(2025). Female Departures: an Existentialist Feminist Reading of "Like a Rolling Stone". 文艺发展研究（英文版）, 6(3), 175-178. DOI： 10.47297/wsprolaadWSP2634-786537.20250603.

Zhang Jianrong.Female Departures: an Existentialist Feminist Reading of "Like a Rolling Stone"[J].Research on Literary and Art Development,2025,06(03):175-178. DOI： 10.47297/wsprolaadWSP2634-786537.20250603.

摘要

Abstract

Feminist issues have received growing attention in China in recent years

along with an increase in feminist films. However

current discussions tend to focus on the personal development and self-realization of middle-class women

while overlooking structural problems that still exist. This paper examines the film Like a Rolling Stone from the perspective of existentialist feminism

exploring the shift from being the "Other" to becoming a "Subject." It discusses the challenges faced by ordinary women and points out the limitations of elite feminism.

关键词

Keywords

references

Chen Jie. Like A Rolling Stone: An Apocalypse of the Exit of a Contemporary "Nora" [J]. Film Art, 2024,(6): 88–89.

An Yan. Like A Rolling Stone and Socratic Inquiry: How Should One Live [J]? Contemporary Cinema, 2024,(10): 29–32.

Li Ting, Yu Haijun. Ethical Transformation, Role Reconstruction, and the Image in the Mirror: The "Melodramatic" Narrative of Like a Rolling Stone [J]. Movie Literature, 2025,(2): 160–164.

Simone de Beauvoir. The Second Sex (Qiu Ruiluan, Trans.) [M]. Owl Publishing House, Taipei.2013.

Liu Huimin. Existentialist Feminism and Women's Liberation—A Brief Analysis of Beauvoir's The Second Sex [J]. Journal of Chongqing University of Science and Technology (Social Science Edition), 2010,(13): 39–48.

Gai Qi. (2024). The Value Symptoms and Ideological Roots of Chinese Media Female Discourses in Recent Years [J]. Journal of Guangzhou University (Social Science Edition), (6).

Li Ming, Wang Yi. A Review of Western Feminist Film Theory,2022,38,(6): 59–64.

Guo Peijun. The Movie Theory Criticism on Western Feminism [J]. Journal of Inner Mongolia University for Nationalities (Social Sciences), 2003,29,(5): 33–37.

Qin Xiaohong. Chinese Reflections on Female Survival—On the Construction of Female Images in Chinese Cinema [J]. Social Sciences Hunan,2006,(3): 138–141.

Yuan Ying. Feminism and Chinese Women's Cinema [J]. Contemporary Cinema,1990, (3): 46–53.

Ao Lijuan. The Research on Female Image of the Sixth Generation Film Directors of China [M]. Hunan University.2013.

Wan Jingwen. The Presentation of Female Images in Chinese Films (2000–2019) [M]. Zhejiang University.2021.

Cao Mingyan. The Fable of "Fortress Besieged" : A Study on Broken Marriage Theme Film in the New Period(1978–1989) [D]. China Film Art Research Center.2022.

Sartre, J.-P. Being and Nothingness: An Essay on Phenomenological Ontology (H. E. Barnes, Trans.) [M]. Philosophical Library. (Original work published 1943).1956.

Ince, C. The Body and the Screen: Female Subjectivity in Contemporary Women's Cinema [M]. Bloomsbury Academic, New York.2017.

文章被引用时，请邮件提醒。

Submit

No data

Related Author

No data

Related Institution

No data

⁰