From Memory Representation to Memory Governance:Cultural Memory and Geopolitical Identity along the Maritime Silk Road through Digital-Intelligent Imaging

Xiaowen Zhang

doi:10.47297/wsprolaadWSP2634-786546.20260704

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From Memory Representation to Memory Governance:Cultural Memory and Geopolitical Identity along the Maritime Silk Road through Digital-Intelligent Imaging

7卷第4期

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From Memory Representation to Memory Governance:Cultural Memory and Geopolitical Identity along the Maritime Silk Road through Digital-Intelligent Imaging
From Memory Representation to Memory Governance:Cultural Memory and Geopolitical Identity along the Maritime Silk Road through Digital-Intelligent Imaging
Shandong University of Arts, Jinan, Shandong, 250300, China
2026年7卷第4期页码：212-215
纸质出版：2026-08-30
DOI：10.47297/wsprolaadWSP2634-786546.20260704
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Xiaowen Zhang. (2026). From Memory Representation to Memory Governance:Cultural Memory and Geopolitical Identity along the Maritime Silk Road through Digital-Intelligent Imaging. 文艺发展研究（英文版）, 7(4), 212-215.

Zhang Xiaowen.From Memory Representation to Memory Governance:Cultural Memory and Geopolitical Identity along the Maritime Silk Road through Digital-Intelligent Imaging[J].Research on Literary and Art Development,2026,07(04):212-215.
Xiaowen Zhang. (2026). From Memory Representation to Memory Governance:Cultural Memory and Geopolitical Identity along the Maritime Silk Road through Digital-Intelligent Imaging. 文艺发展研究（英文版）, 7(4), 212-215. DOI： 10.47297/wsprolaadWSP2634-786546.20260704.

Zhang Xiaowen.From Memory Representation to Memory Governance:Cultural Memory and Geopolitical Identity along the Maritime Silk Road through Digital-Intelligent Imaging[J].Research on Literary and Art Development,2026,07(04):212-215. DOI： 10.47297/wsprolaadWSP2634-786546.20260704.

摘要

Abstract

Maritime Silk Road image practices are undergoing a shift from static representation to generation

interaction

and algorithmic governance. This article uses Cross the Maritime Silk Road

the digital practice of Nanhai I

and the Silk Road Digital Museum as purposive cases to examine how digital-intelligent imaging changes the presentation

participation

and visibility structures of cultural memory. The analysis shows that images first anchor grand history in people

objects

and places; then immersive and interactive media allow users to enter memory; and platforms and metadata further determine which memories are retrieved

displayed

and interpreted. This process redistributes mnemonic authority and gradually turns geopolitical identity from cognition of a shared history into a cultural imagination organized by images

platforms

and institutions.

关键词

Keywords

references

State Council Information Office of the People's Republic of China. "Building the Belt and Road: Major Practice in Building a Community with a Shared Future for Mankind." People's Daily, 2023-10-11, p. 10 , col.2.

Assmann, Jan. Cultural Memory and Early Civilization: Writing, Remembrance, and Political Imagination. Translated by Jin Shoufu and Huang Xiaochen. Beijing: Peking University Press, 2015, pp. 46 - 47 .

Jan Assmann and Aleida Assmann. Cultural Memory Theory Reader. Edited by Feng Yalin and Aleida Assmann. Translated by Chen Lingling. Beijing: Peking University Press, 2012, p. 27 .

Lu Fangfang. "Exploring Communities in Visual Anthropology in the Age of Digital Intelligence." Chinese Social Sciences Today, 2025-07-15(A06).

Mo Meifeng. "Building a Communication System for Chinese Civilizational Symbols and Their Omnimedia Presentation." People's Tribune, 2025(02):107.

Xu Ganli. "New Life for Old Crafts: The Modern Revival of Traditional Handicrafts." People's Tribune, 2025(02):102.

He Yin. "Promoting Harmonious Coexistence and Mutual Achievement Among Different Civilizations." People's Daily, 2024-03-15(3):1.

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