Angels Wear White (2017)

directed by Vivian Qu

is considered one of the best anti-sexual abuse films produced in China in recent years. Instead of telling the story as a social event in a direct and explicit way

this film focuses on portraying images of lower class women and revealing various forms of oppression generated by patriarchal ideology. Through analyzing the female characters

this article uses feminist theories to illustrate how the director manages to complicate victimized female image and multiple layers of individual agency.