This study examines Qingyang Long Opera

a cultural epitome of Gansu Province

through the lens of cultural ecology. Employing qualitative research methods including documentary analysis and field investigations

it systematically deconstructs the historical evolution

stylized performance paradigms

and vocal aesthetic characteristics of this traditional form. The research identifies Long Opera as a vital carrier of cultural genes

confronting contemporary challenges such as inefficient cultural capital conversion and intergenerational transmission gaps under the tension between globalization and localization. A three-dimensional framework encompassing "cultural memory-living heritage transmission-innovative transformation" is proposed

with practical pathways involving digital archiving

educational institutionalization

and cultural tourism integration. The findings underscore that Long Opera's sustainability not only safeguards regional cultural diversity but also constitutes an indispensable component in reconstructing China's operatic cultural genealogy

offering paradigmatic insights into cultivating cultural consciousness and shaping contemporary identity.